7.+Chapter

Chapter 7 terms provided by Alex VanAnrooy !!!

alberti bass- apreggiating triads in repeated patterns, such as root, 3rd, 5th arpeggiated bass- a root 3rd 5th switching between root 5th 3rd 5th augmented triad- triad with a raised 5th chord- usually a triad with a root 3rd 5th chord members- pitches that make up a chord diminish 7th- lowered 3rd and 5th with a 7th diminished triad- lowered 3rd and 5th dominant 7th chord- major triad with a minor 7th fifth-distance of 5 letter names first inversion-triad with the 3rd as the lowest note fully diminished 7th chord-diminished triad with and diminished 7th thus having no audible root half diminished 7th chord- diminished triad with a minor 7th inversion-a triad with the lowest note being not the root lead-sheet chord notation-figured bass but in modern time major 7th chord- a major triad with a major 7th minor 7th chord- a minor triad with a minor 7th root- the audible note in a triad root position- a chord voiced so that the root is the lowest note second inversion- a triad voiced so the 5th is the lowest note third inversion- a 7th chord so that the 7th is in the bass triad major- root and 3rd is major and 3rd-5th is minor triad minor- root-3rd is minor and 3rd-5th is major triad quality- determining if the triad is a major, minor, diminished, or augmented - Help · About · Blog · [|Pricing] · Privacy · Terms · [|**Support**] · [|**Upgrade**] Contributions to https://apmt11-12.wikispaces.com/ are licensed under a [|Creative Commons Attribution Share-Alike 3.0 License]. Portions not contributed by visitors are Copyright 2011 Tangient LLC.